Category: Costumes

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It’s time to talk about the gauntlet.

So picture the scene: I have been waiting for a year to see Avengers Endgame. In some ways I’d been waiting for this movie since I first saw Iron Man in 2008. The whole year I was trying not to speculate and guess what was going to happen. I’ve tried to not watch trailers, since I was going to see it no matter what. I caught a couple pictures, by accident, but other than the white team up suits I didn’t see much. I wait until the weekend post premiere to see it and manage to avoid spoilers on the internet.

I’m in the theater, one of my small local theaters which has thin walls, but my movie is going to be the loudest anyway. There’s a pretty good crowd, but there’s only about 4 people in my row 3/4 of the way to the back.

I am shocked by the time jump, but liked the plot device. I enjoy the Bruce Hulk combo, and Scott’s time travel banter. I like Morgan. I can see why Clint has changed. I cry over Black Widow. And then they create the gauntlet. The Iron Man/Hulk/Nano gauntlet to take the strength of the infinity stones to make another snap. It’s a great team up of all the sciencey people of Marvel!

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And then the “twist.” Thanos comes back to the future from the future past, and wants the stones, so he blows up the Avenger’s HQ. And suddenly, the person who has possession of the gauntlet is the least powered person on the team. Clint Barton.

In the MCU, he’s survived on wits, on archery skills, and on hand to hand combat. But he doesn’t have a super suit that flies or shrinks. He doesn’t have sorcery or superpowers. He’s just a guy. A guy with skills, but just a guy.

That was the image that stuck with me when I left the theater. Sure, I cheered over the “We’ve got this” moment, I cried over Tony, I was heartened by the win, and was pleased by the dance. But a guy playing keep-away with a seemingly unbeatable alien. That’s what stuck.

So when I realized I could go to DragonCon in August, I decided to make a Hawkeye/Ronin costume and carry around a gauntlet to recreate that moment. It’s maybe two minutes of the story, and probably only 30 seconds of screen time total. But that’s what DragonCon is for! Recreating beloved moments, and someone will get it.

Even before making the costume, I knew I needed to make the gauntlet, and I knew that would take the longest time, mostly for drying and waiting and mistakes.

Foam was new to me. I found my local Harbor Freight and bought the two different types of floor mats they had, and used both for the costume, but only the thinner rolled one for the gauntlet.

I found this awesome 3D Pepakura model for the gauntlet from MasterMod, and printed off a cardstock copy so I could test out the size and how it fit together. Cutting those pieces nearly broke me, and I hadn’t even gotten to the foam yet.

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Deciding to size up a bit, I printed out a new copy, and set to work cutting the foam. I was using a couple of fresh X-acto blade, and was still having trouble, so next time I’ll follow suggestions to use a scalpel.

I would cut out some pieces, and glue some pieces, and cut some pieces and glue some pieces. At the time I was living in a townhouse where I only had one room for both living and crafting, so I didn’t have the space to cut and arrange all the pieces at once.

Contact glue was my weapon of choice for assembly, and boy is it smelly and sticky like mis-made caramel sauce. The stick, not the smell. Something I didn’t consider until it was too late was that the edges of the foam should probably have a specific angle in order to fit together properly. Oops!

Also, don’t let the can of contact glue fall over and spill into the bottom of a bookcase. I got lucky, and the carpet underneath the case wasn’t affected, but it could’ve been disastrous. And eternally smelly.

Cut and glue and cut and glue and cut and glue.

Okay, so then it was assembled and I needed to get a move on, as DragonCon was coming up quick.

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Plastidip and North Carolina humidity in August doesn’t work well together.

Average spray paint is actually worse.

Masking off tacky spray paint and mildly tacky Plastidip is less than ideal.

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So I grunged it up with some black and brown acrylics.

The jewels. Those were a treat. I found them in a grab bag of rhinestone jewels at Michael’s. I spent about 20 minutes sitting on the floor of the young craft kit section one night after a work shift making sure that I had the correct colors and shapes if I was going to spend 15 dollars after a coupon on a bag of jewels I might never use afterward. Massaging a bag of craft jewels 15 minutes before closing is… not a pretty look.

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I think I used contact cement to attach them, then used some kind of puffy paint (craft supply hoarding for the win!) to really cement them in.

For the inside, I decided to keep my super glue, and my wallet inside the glove, which would mean that I needed a pocket inside.

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I found some scraps from the Merida skirt, made a zippered pouch, then glued in the pouch and some lining to black out the inside of the glove.

And that rounded out my Nano Gauntlet! It now graces my curio cabinet in a tribute to Ironman.

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Agent Carter

We’re in a crazy time right now, and while I’ve regained the time of my commute I’m making the most of it, trying to get my blog up to date, as well as make more stuff! According to my drafts folder, I’ve got 12 posts in the works, and that’s not counting anything I’ve made so far in 2020… Which is a fair bit.

So you’ll likely hear a lot from me in the next month or two, and maybe that’ll kickstart my old blogging energy!

And back to the regularly scheduled- Wait. This dress was made in 2017. That’s three years ago! That’s a whole blog changeover ago. While I go hang my head in shame, enjoy my post about this Peggy dress.

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A loooooooong time ago, I made a dress based off of Peggy Carter’s purple dress in Agent Carter’s episode, “A View in the Dark.”

I remember very little of making it, or the muslin that is shown here in green, but I do remember a few things.

The material that I chose for the green muslin was a relatively medium weight linen/poly blend that had some nice drape, but could hold it’s shape rather well. The purple was instead a very heavy polyester corduroy, and shed like crazy. It’s almost no wonder that the dresses didn’t fit the same.

I modified the dress from the Deer and Doe Belladone, which I had used for a binge of dresses earlier that year, by changing so much that it’s almost not the same garment. This is why I made the not-common for Jess move of making a muslin (I know, I know. Muslins are useful, but sometimes I just want to jump into the real thing and just try it!). And I love the muslin, and one day I will actually line the bodice of the muslin, so that I can wear it again.

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The belt was made out of some gorgeous lace that I inherited from one of my mom’s friends. I painstakingly cut flowers from the lace, handstitched them to a silver painted sew in interfacing in black, then attached the interfaced flowers to a fleece backing and stitched on ribbons and hooks and eyes for the closures. It’s still my go to belt for dressing up relatively plain things that need waist definition, like my Future Dress.

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I wore the costume to DragonCon in 2017, but only on Monday, when only super obvious costumes get recognized (because nearly everyone is hungover from excitement and non-stop parties and new friends), and it was too hot for Atlanta on Labor Day. Remember heavy polyester corduroy?

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Later that year, I tried to wear it to a swing dance, and it… Well, I kind of hulked out of it. It was near the end of my Master’s degree, or perhaps right after, and I had gained a bit more… numerically…  in the tummy region. I managed to slither into the dress, and then when I got into the car and drove down the block (picture reversing and the automatic twists of the torso to make sure you’re not hitting the neighbor’s car when coming out of the driveway) before the side seam split, and the waist seam gave way. Not my proudest moment. But the material lives on in my ottoman-pouf, and the green dress lives on, and is definitely more my normal style anyway… Polyester corduroy is decidedly not.

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Year 3 with Ariel

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Well guys, it’s my 3rd year of making costumes and actually wearing them (as opposed to year 8 of making long term costumes and not wearing them maybe ever… Because that does still happen… This one’s cheerier), and it’s also my 3rd round of updates to my Ariel costume.

Year 1 was my Ariel with a deep blue rayon skirt, matching bow, and hair extensions.

Year 2 was the Ariel with a pair of light blue rayon lawn culottes, along with Year 1’s bow and hair extensions.

Year 3, or this year, is the year that I made linen-cotton culottes and ditched the hair extenions. I kept the bow though!

New version (quite wrinkled)
Old version

Last year’s culottes were awesome! Except, well, except for the hole in the butt. So this round, I decided to keep with the culottes idea, and ditch the way too lightweight rayon. Plus I wanted them to be wearable in real life.

Again, like last year, I dyed the fabric myself. This year it’s this linen/cotton blend as the substrate, though. I dyed it with the same royal blue fiber reactive procion dye, in my trusty five gallon bucket. I’m not sure how much fabric is actually was in there, but it was waaaaaay too much for that bucket.

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I think it was about 4 yards of fabric, though. Those legs are wide…

The fabric is reasonably stiff with almost no drape, which does mean that these culottes come with their own volume. But, since I didn’t bring an iron with me, only a steamer, I didn’t get a sharp front crease at the pleat, so some illusion was lost.

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It also made problems in the back. See, I wanted to avoid the zipper and corset problem I found last year, and installed an elastic back… But I was a bit willy nilly in the altering, and didn’t think about the large quantity of fabric that’d be gathered on the back, so I trudged through. (I used this tutorial, if you’re interested.)

This was right after Megan Nielsen released pockets as an add on/update to the pattern, so I was lucky to get the huge pockets that I so love about her patterns. They’re fantastic!

Sewing up went quick, and I installed the elastic and tried it on. In hemming I probably cut off at least two inches, and the hem is about an inch and a half deep. But then I discovered that the elastic (two rows of elastic, mind) was not strong enough to keep the skirt up.

So I took off the elastic, cut it down, and then reattached it, and it worked fine enough.

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When I walk, sometimes the extra fabric “walks” awkwardly in front of me, but I did raise the inseam by about two inches after I noticed that, so fingers crossed that fixed it.

I’m considering unpicking the back and making “artistic darts” to reduce that waistband bulk, but that month is not this month. Maybe next month.

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My hair was super long this year (comparatively), so I nixed the hair extensions on the day. They always get stuck on stuff and drag my scalp with them, and then I take them off midday anyway.

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But the bow and necklace have held strong! This year, I did stick on some fake earrings, meaning pearly cabochans with eyelash glue. They were cute, and did last all day!

So that’s year 3 of Ariel! I dunno if she’ll make it another year… I had to do some repairs to the corset this year, due to the really cheap “coutil” that I used, but I hope that next year it’ll be around!

 

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Alanna the Lioness

Happy Halloween everyone!

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Let me start by telling you a story of young Jess…

Once upon a time, there was a house down the road that was for rent, the only house in the neighborhood that was. This house throughout the years contained some of Jess’s most unusual friends, but most of that is fodder for another time.

One year a family moved in with two kids, and one of them was Alison. Alison was three years older, and had done and read so many more things, but still wanted to be friends with Jess (even though in elementary school years three years is a decade). She introduced Jess to Tamora Pierce’s books on Halloween (by dressing up as Alanna, if I remember correctly). And changed her life.

The Song of the Lioness quartet was not the first I read… I think Kel was first since I was closer to her age, then Daine, but the character that I got attached to deeply was Alanna.

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She’s a warrior who’s also magical and has a cat who’s also a bit of a god… and she goes on cool adventures in far off lands… And I was a quiet kid that cried a lot and got bullied to varying degrees emotionally, to the point that I’m pretty sure some of it was imagined (which is essentially me bullying myself). Reading all of Tamora Pierce, but especially Alanna, got me through my child and teen-hood.

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So I decided to show this love as a costume.

As with many of my costumes, I looked to make part of it so I could wear it in real life, which were the trousers I showed you last week. They’re on heavy rotation…

 

And I teased my prop sword and shield as well, though those aren’t real life applicable.

But I realized that I will not be able to use much more of this costume in my real life, so when I recognised it I felt free to just make. It also helps that the shirt fabric and all the bias tape was in my stash. The red linen was a purchase from Joann’s.

Both the shirt and the tunic are based on the Onyx top by Paprika Patterns (yay for TNTs!).

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For the shirt, I added length to the sleeves and added cuffs, and raised the neckline plus added a “v” split for easy pulling on and off. The neckline is finished with yellow-gold bias tape, which was mostly applied by hand (because I didn’t have any matching thread. And didn’t want to buy more). Lots of pick stitching.

The sleeves were just lengthened straight from the armpit down, so I could get some volume at the cuffs, which I mostly just eyeballed. To match the cuff width with the sleeve width I pleated in the sleeve volume. The buttons… the buttons don’t work. I put snaps on the inside, and the buttons on the outside… Just in case I couldn’t actually button the cuffs myself. So… Convenience?

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The tunic was basically the original top, just sleeveless and with the neckline raised a smidge. I lengthened the top until it hit “somewhere between hips and knees” but left slits on either side so I could get to my pockets (highly important at a con) and for movement.

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I used an embroidery machine to make a patch for the “breast pocket” area, which was so fun to watch. I love watching needles stab into the fabric… Maybe that’s too much.

Two more finishing touches rounded off the costume: the ember stone and Faithful.

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I’ve carried around this pendant for years and years now, not really sure what I wanted to use it for, so it was just something fun that I was able to incorporate.

And finally, Faithful. My companion. He is the reason why I was recognized, most of all. And no one was able to tell that his eyes were purple!

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First I bought this plushie once I realized I didn’t have the time or bandwidth to make a realistic cat. I made him a little “platform” out of denim and a mustard fabric, which I would then safety pin to my tunic. Then I put wire up his leg and tail so it would stay up. And then I painted his eyes so the irises would be purple, which mildly worked. Not well, but if you’re looking for it.

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And that’s my ode to Alanna. It’s been a long time coming, but I think this is the best time for me to portray her. I need a little of her spunk in my life right now.

(On a semi-related note, Sara Bareilles released a new song recently, and I have been listening to it on repeat.)

((Also, if you really like Tamora Pierce’s Tortall universe, but want to hear a discussion about it from a group of well read friends who are picking it apart from a 2017/2018 point of view, I’d highly suggest listening to the Tortall Recall podcast. While I don’t always agree with their takes, it’s fun and sometimes enlightening to listen to people discuss some of my favorite books in new to me ways. I’m not affiliated with them in any way, I just enjoy listening to them!))

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Not a Background Lannister – Prop Shield Tutorial

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So I started with the trousers last Wednesday… The shield on Friday… Next up in the lead up to the costume reveal is the shield.

And boy am I proud of it!

I have access to a laser cutter, at my job, so I put together a “quick” file (it’s never quick) for a shield that would fit on one piece of plywood. I could’ve made a bigger one, but I was trying to be material conscious, and I’m glad I kept it at that size. The laser in question is technically two feet “wide” in material dimensions, and 4 feet long, but it’s a little bit smaller in both directions due to crookedness and use  over time.

I worked with 1/8″ plywood, and made this as solid looking, but light as possible. There are two fully solid pieces, with multiple border pieces, one set in between the solid pieces, and two sets on the front, and then the decorative pieces there too… This would be better explained in pictures…

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Yeah… Like that.

So I layered and glued everything together. It took awhile. What I should have done then, is sand those edges. I didn’t. Moving on.

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On the top of the shield I used wood filler and a putty knife to shove material into the seams so it was a fake beveled/routed edge. That’s honestly what took the longest. I’d put on wood filler, wait for it to dry, sand it, apply more when it inevitably chipped and repeat.

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Yeah… not meant to see it up close.

I’m kicking myself that I didn’t get progress pictures as I went. So then I painted the shield. Chestnut brown on the back and sides, then red and gold on the front. The gold is Bright Gold Lumiere Jacquard fabric/universal paint, and the others are stash cheapo acrylic paints. Oh, I so love the Lumiere paints.

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Gaah. I’m gonna stop it (mostly) with the close ups on this one.

On the back are two more sets of laser cut pieces, the main point of which was to provide some material for screws to connect to. Then I guesstimated sizes of leather to attach the shield to my arm, screwed it into the top and bottom bracers. I had to reattach the bottom ones to make them tighter so I could control the shield a bit better, but then I was completely done with the shield!

Lightweight, blocky and just what I needed.

It did mean that I hit a bunch of people accidentally, but… that’s being at a con, right?

I was not too surprised that this wasn’t the recognizable part of the costume (It looks too much like the Lannister crest, or Peter’s from Chronicles of Narnia), but I was surprised what was! You’ll have to tune in on Wednesday to figure out what I’m talking about!

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That probably sounded like a ending, but I’m popping back in again to say that though I made this with a laser cutter out of plywood, you could totally do something like this with a craft knife and some stiff foamboard or foam, and come out with similarly awesome results!

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Is the pen really mightier? – Prop Sword Tutorial

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The first prop I needed to make was a lightweight sword. It had to be a short sword (so the double handed sword I bought at my first DC was out) and it had to be me-sized. So smaller.

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I went to Michael’s one day to scope out the small plywood situation, and ended up with Basswood, I think with the dimensions 24″ by 4″ by either an 1/8 or 1/16″ but I’m not sure which. I also purchased an 1/8″ diameter dowel, which gave the sword it’s structure. That was the cheapest Michael’s trip ever, because with a coupon, the main part of the sword cost $2.50. Craft stores never work out that well for me, so I definitely gave myself a pat on the back for a good job. Or rather, I took myself out to see the Incredibles 2 (this was late July/early August. It was still in theaters.

I’m pretty sure I cut the basswood in half lengthwise, then I cut the pointy bit out, and tried to match on both sides. Most of this was done at night, so cue the bad phone pic here:

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I then taped the dowel to one of the sword pieces. Then I applied wood glue around the edge of the sword outline, and used every single clamp and binder clip I own to keep the pieces together.

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Then I left it for a few days, even though it probably only needed one.

I used a laser cutter to cut out pieces for the hilt from 1/8″ plywood that would slide onto the wooden dowel for stability, and I aimed for a hand and a half length. In the end I got a stacked result, then used wood filler to fill it in and round it slightly. It worked pretty well, though it might’ve worked better if my filler was wetter. It has gotten rather gummy over time. Regardless there was a lot of back and forth between gooping and sanding. Using cardboard would work pretty much just the same way, if you cut some layers and used wood filler and glue and tape to hide the corrugated edges!

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Then came painting and sanding. I painted up the “blade” with white acrylic first, then with Lumiere Jacquard paint in silver. Then it was too shiny, so I sanded it. Repeat once more to see if anything changed. Add the line down the center (kinda… don’t look too close) and then sand again to blend that in.

For the hilt I first painted everything brown, then painted it with Lumiere Jacquard paint in bright gold.

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And the jewel. Still the biggest pain in the butt of this project. When I was designing the laser cut part of the hilt I made pieces for the end that would allow the jewel to nestle in.

Then I tried hot glue, then superglue twice, and now E6000. It’s sticking for now.

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So that’s how I made my prop lightweight sword!

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Stormy Grey Flint Trousers

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As of yet, the only garments I’ve made from the Flint trouser pattern by Megan Nielsen have been grey… Like flint.

Coincidence? Yeah. Funny? Probably only to me.

I’ve found myself lacking interest in fabric shopping. **gasp** When I have something to make and already know what kind of fabric I want to use, it won’t be at the (big chain) fabric store when I need it, and the hours at my (more expensive) local fabric store are inconvenient now.

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But since i know how to dye fabric I’m choosing that option more and more!

For fabric i used this linen cotton blend from Dharma Trading and used their fiber reactive dye in 150 GUN METAL GRAY.

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I bought 6 yards of the fabric for my stash, and probably used just over 2 yards for these trousers. Then came the evening when I spent two hours leaning over the tub and the paint bucket I use to dye the fabric. When the fabric came out of the bucket I was convinced I let it sit too long since it was almost black, but after putting it through the wash it turned up as this lovely stormy charcoal blue grey.

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As for the pattern, I made a few alterations. First the same ones that I used for the shorts I made last year, cutting out about two inches from the rise. Then I lengthened it to full length by adding about 8 inches to the hem.

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I interrupt this broadcast to remind you that this is a linen cotton blend. This is to say, naturally relatively wrinkly, and also this is the third wear since it was last washed, and although it’s been hung up in between, that doesn’t mean it wasn’t being wrinkled… It happens. This public service announcement has been brought to you by “Jess just looked through the pictures for this post and grew concerned for her sanity.”

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I was banking on the hopes that the weird crotch and butt wrinkles I got with the shorts would be smoothed by the weight of the extra fabric. I think I was mostly right. There’s a bit of room for improvement there. I’m pretty sure I made a curved waistband.

When the trousers came together, though, the waistband still needed to be taken in, like with the shorts.

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I found these really cool plastic buttons in my stash, and I’m pretty sure they were bought in NYC at one of the shops that specializes in notions.

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Can we pretend you don’t see any loose threads?

Oh, and did I forget to mention that I bound every seam with bias binding? I want these suckers to last!

Swishing around in these makes me so happy!

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Soon, I’ll share what costume these trousers were made for!

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The Moment, Mark 2

I was at DragonCon over Labor Day weekend, and what I realized when I wore my costume Saturday was that I hadn’t actually updated you on my newest (meaning 1 year old) Moment box, and the costume that goes with it! I’m going to give you the super short synopsis version here, and then link here to the page that goes in depth.

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Also, I apparently never posted specifically about last year’s costumes… Finishing my Master’s hit me hard. I’ll be changing that soon!

Some awesome creators complimented me on this version and gave me suggestions and new ideas for a future version, so at the end of this post I’m going to write down some of them before I forget… Because I can be terribly forgetful. Shout out to Circus Jack (?), the Joker and Harley that tracked me halfway across the Marriott, and to Daniel at BlueBoxDezigns who also has made a Moment box! All of you made my day when we talked about the details!

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Let’s start with the costume…

Shirt: Onyx Top by Paprika Patterns out of white rayon lawn, tea dyed to a tan. Netting was cut into rectangles and sewed to the end of the existing sleeves

Vest: Some variant on the Archer Shirt by Grainline Studios, drastically changed out of shape though. I don’t even remember what I did, it was done so quickly and haphazardly. Rayon spandex twill

Skirt: Syrah Skirt from Baste and Gather out of a lovely, buttery, rayon jersey. So comfy! Too light colored for me to wear in real life! Basically I made it exactly the same, just sewed up only part to my knees so I could knot up one side.

Accessories: The “vortex manipulator” I made in 2013, boots that I painted a different shade of brown, various bracelets I’ve picked up over time.

DSC_7189And the box:

All the sides are laser cut, mainly out of 1/4″ sanded plywood.

DSC_7193The outer frame was constructed by splitting 2×4’s lengthwise and then cutting the pieces to size.

DSC_7196The corners were then modeled in the online 3D modeling page Tinkercad, and then I 3D printed them.

cropped-DSC_7199.jpgA lot of the gears and such move. It also opens!

Anything more you want to know, check out the breakdown on the costume page, and email me if you want to know more than that!

P.S. I won a costume contest at my university with this costume, so the last shot is from that day!

Suggestions:

Make the acrylic part articulated so that the individual circles can move

Make everything on one side articulated together: Moving one piece moves them all

(Even better if moving one side moved something on another…)

Keeping the opening from falling open by using velcro or making it in a lighter-weight material and keeping the magnets.

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Long Tania Culottes

Why hello there!

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You were lured in by my first couple posts in a while (plausible), or perhaps by the lovely pics of the culottes in the pictures (perhaps less plausible), or because you did a double take when you realized that I wasn’t in fact going to be talking about my Ariel costume, but about a piece of clothing… Don’t worry. I’ll talk about the rest of the costume at the end!

My 2016 Ariel costume involved a floor length deep blue skirt that was maybe a quarter circle skirt out of some lovely but incredibly flimsy rayon. So I made an Onyx shirt out of it a couple months afterward.

So when I decided to attend DragonCon again in 2017 I wanted to update my Ariel costume, and that meant making a new skirt.

But Ariel is all about getting legs! Why does she get legs, and then suddenly start wearing a tube that she could’ve worn with a tail anyway!

So my theory is that she would be much happier wearing culottes. Still loose and flowy without being a single tube. Two tubes for the win!

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Okay, that’s enough now…

I had recently downloaded the update to Megan Nielsen’s Tania Culotte pattern, and had pieces together the knee length version (I think) of the full circle culotte pattern, as opposed to the tapered version.

So I took some of the rayon lawn that I used with my 2017 Birthday Dress and cut pieces a little larger than the pattern pieces would require, and then I dyed them using either Procion Royal Blue or Moody Blue (Moody Blue was a specialty color that doesn’t look like its still available), which came out the perfect sky blue (perhaps because I didn’t use enough dye, as I’m looking at the instructions). I think I used glauber’s salt in the mixture, which is suggested for evening out the color. And urea, now that I think about it. I was dyeing a couple things that night, so I’m not sure..

The fabric dyeing went well, but then I laid the pieces over the rungs of my drying rack, and that left lines in the fabric… Oh well!

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Then I took the fabric pieces, ironed them heavily and cut out the Tania culottes pattern for real this time. Sewing together was pretty simple, as I’ve made it many a time before (I mean, at least twice). I did have to make really big darts in the waistband, and I put in pockets… They were messy. The waistband was something I over-interfaced, because I knew it had to hold up (literally) when the rest of the garment was so flowy.

This is the time to remind/let you know that this rayon lawn is not meant for real garments. I was just silly to have tried it. I seem to have a habit of trying to force thin rayon into skirt like jobs… Hmm…

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Once finished, I wore them to work… Which worked okay. The problem arose that they are so flowy that they got caught in my bike wheels. As in grind me to a halt stuck between the brakes and the wheel.

Every time I got in a car I was at risk of tearing the fabric. Especially around the back seam area. Not the seam itself, but the area next to the seam. I had already repaired that area once before DragonCon, and by the time I got to the Marriott apparently the hole had reappeared… Oops? Thanks lady on the escalator for letting me know so carefully!

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So this was retired about a month after DragonCon, though it was my ultimate favorite swishy swishy make. Fabric eater, I think this had over 3.5 yards in it. But I will be looking into making this again soon, out of a more durable fabric. Maybe I’ll make the tapered version, but I really like the deceptive nature of the circle skirt variation. I had to prove to a number of people (not at the con but in life) that it was in fact “pants”).

So details on the rest of the Ariel costume… Same corset as 2016, but I made a new shirt. I altered the Onyx top pattern to lengthen and widen the sleeves and I embroidered these adorable waves along the neckline. I also made a Flounder plushie who is my new favorite (don’t tell my fox-squirrel), especially because he looks so terrified. I carried him around in a basket, and when one young boy was nervous to come up and touch him, I told him that Flounder was scared being out of the ocean… I’m not good at coming up with things on the spot, so my new and improved quick thinking came in handy. Hopefully it sticks around…

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This year I plan to also make a Sebastian plushie. I had all the fabrics ready with the Flounder stuff, but I just didn’t have the time to make it!

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Weekend of Corsets

After I had completed the skirt for my Ariel costume, reality set in.

I knew I didn’t want to wimp out and not make a corset, and by this point I had already bought the fabric and the pattern and denim for the muslin. I used Laughing Moon’s 100 Victorian Underwear Dore Corset pattern, which I got from Truly Victorian here. This post by Truly Victorian helped me choose what size to start with and which corset to start with. (ETA This link seems to be broken, and I can’t find the article)

So here is the story of my weekend of corsets (embellished due to the fact that it was about 3 months ago and for artistic liberties):

The Friday before DragonCon I grabbed the cut out pieces of the corset pattern(I had clipped them a few days before when I was in the mood to cut, but not carefully), and I carefully traced out a size, and cut it out of the denim. Did I not figure out that I should alternate directions of the pattern pieces so each side of the corset was one color? No I did not. Do I care very much? Nope! Gotta love underwear for that reason…

I sewed it up with one layer, and at first used a zipper in place of the busk at the front. It ended up being taken in a lot for the denim version, and I think this was mostly a combo because I am rather squishy around the tummy, so it was able to compress/move rather easily, and because the denim has some give. Not a lot, mind you, but a bit more wiggle room than I’d thought. And realistically I’m happier to “remove” fabric later than need more of it there. It is a heavy weight 100% cotton denim from Joann Fabrics, with a surprising amount of drape post-wash, but it’s pretty stable and thick.

I hadn’t yet finished the denim corset yet, since I didn’t have the grommet setting kit by that point, but I was able to alter the pattern for the Ariel corset.

Then Saturday rolled around and I cut out the fabric for Ariel. I had gotten a yard of Yaya Han’s corset fabric from her line at Joann’s… By this point I was in Joann’s every other day or so. It’s a nice enough fabric. Lightweight but still strong and stable. Thin, though, very thin feeling. In the future I wouldn’t use it for corsets, since it did strain a bit under the pressure, causing some extra rippling in the already slight ripple sections, but it would be good as a tough non-stretch layer for support.

I had raised the top of the corset by two inches, and aimed for that round sweetheart shape, and I cut away some of the extra fabric from the bottom to give it a soft point at the bottom. Then I ended up altering this more once I had tested with just one layer of fabric, so I could try to get less of the stomach-fat-that-is-now-hip-fat look. (Spoiler alert: It only kinda worked.) I then sewed the second layers together for both corsets (each of self fabric), and inserted the busk to Ariel’s (I had forgotten to purchase another for Susan) and inserted a zipper for Susan’s.

The boning was tricky, and the next step. I got all the boning from Bias Bespoke’s etsy shop, as well as my busks. I used spiral steel in the sides, and spring steel in the straighter front and back areas. To “cap” the ends, I dipped the bones in Plasti-Dip I got from Lowes. I should’ve done an extra dip on the end of all of them, but I got lazy and frantic about finishing.

I cut all the boning for both corsets at once, using bolt cutters and wire cutters. And then I’m pretty sure my friend conned me into going line dancing (**shivers**). So when I got home that night I was exhausted and crashed. On Sunday, I inserted the boning, and stitched the bindings on by hand. I threaded a length of Sugar and Cream yarn through the top of Susan’s so I could draw it more closed if necessary.

The grommet setting tool had been delivered by this point, but I had forgotten to buy grommets with it, so when they arrived on Monday I inserted them into both corsets, after practicing on an old underbust corset that I used for my TARDIS costume.

Oh, I definitely bought and inserted a busk into Susan after the con, which is why its there in the pictures. The zipper I used split every time I’d wear the costume, with only the tie and hook and eyes to hold it in, so I knew that a real busk was in order.

And that was my weekend of corsets! I don’t intend to have another such weekend, but they were pretty quick once I got rolling!

Ever take on two intimidating things in a weekend?